Walter
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Simon Gibney
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Horrible Histories returns for a special about King John and Magna Carta, starring Ben Miller. John annoys the Barons and agrees Magna Carta at Runnymede, after a banging rap battle. Meanwhile across the world we meet the formidable Genghis Khan in Mongolia, and catch up with the crafty Saladin during the Crusades. With of course, our host Rattus to guide the way!
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Steve Connelly
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Horrible Histories is back with a special episode delving in to the life and times of the world's most famous writer. Tom Stourton stars as the Bard, as we find out about his humble beginnings, his glove-making father and his early life as an actor. How did he climb to become a royal favorite? And what was it like to be in the audience of one of his plays, where fruit was throw...
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Mauro Borrelli
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英俊帅气的凯尔（Aaron Dean Eisenberg 饰）在某清洁公司打工期间，意外从一户人家收来一口制作精美、古色古香的棺材。令他和好友萨顿（J. Walter Holland 饰）感到惊奇的是，棺材内部竟然安装了宛如钟表一般精密的仪器。通过钥匙上的名字，凯尔查到棺材最早属于15世纪一个被称为邪恶版达芬奇的酷刑装置发明家特里斯腾。特里斯腾发明了这个名为“幽灵诞生机”的装置，可以让人在无痛苦的情况下体验死亡的感觉。在此之后，凯尔找来女友朱莉（Liz Fenning 饰）和同学普莱特（Jared Grey 饰）。他们相继躺入棺材中，只为体验那灵魂出窍的神秘感觉。
在这一过程中，他们似乎发现更多关于这口棺材的秘密，却不知自己正被拖向万劫不复的黑暗深渊……
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詹妮弗·肯特
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数年前，艾米莉亚·范宁（艾斯·戴维斯 Essie Davis 饰）和丈夫遭遇一场严重车祸，丈夫不幸在这场意外中身亡。在此之后，艾米莉亚一面在养老院辛勤工作，一面又要照顾年幼的儿子塞缪尔（诺亚·维斯曼 Noah Wiseman 饰）。没有父亲的保护，塞缪尔从小害怕鬼怪，与之相对又表现出极其暴力叛逆的言行举止。带着危险品上学的塞缪尔遭到校方的斥责，艾米莉亚无奈暂时将其托付给克莱尔阿姨照看。
某晚，塞缪尔选了一本从未见过的绘本《巴巴杜先生》作睡前故事，因故事太过诡异恐怖，艾米莉亚中止了阅读，谁知小塞缪尔却仿佛着魔了一般。他声称巴巴杜来到了家里，小家伙的举止越来越离经叛道，而各种可怕的现象也接二连三出现……
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Barbara Stepansky
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美国亚利桑那州，一场车祸改变了科尔特兰一家的生活。男主人罗伯特死于车祸，由于缺少足够经济来源，女主人海伦（梅洛拉·沃特 Melora Walters 饰）抵押掉房子，带着一双子女——康拉德（杰克森·雷斯伯恩 Jackson Rathbone 饰）和勒诺（乔安娜·布莱迪 Johanna Braddy 饰）来到亡夫弟弟达罗（威廉姆·迈普瑟 William Mapother 饰）的房子里居住。这里脏乱破旧，旁边就是一个废品回收站，周围人烟罕至。
罗伯特生前曾计划收养一个被母亲虐待的小女孩莎拉（索菲娅·瓦西里瓦 Sofia Vassilieva 饰），如今相关手续已经完成，海伦虽然手头拮据，却仍同意将这个有着天使般面庞的女孩接到家中。从这时起，诡异、恐怖的事情相继发生……
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Steve Gonsalves,Kendall Whelpton
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A beautiful documentary telling the real story of a homeowner living with a haunting. Bridging the paranormal, real science and the human experience this documentary shows a detailed look at what could be the most haunted house in America.
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阿诺德·拉文
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When FBI Agent Zack Stewart is killed, Agent John Ripley takes over the three cases he was working on, hoping one will lead to his killer. The first involves gangster Joe Walpo and Ripley finds his hideout through Joe's girl friend, Connie Anderson. Joe is killed but it is established he was 400 miles away when Stewart was murdered. The next involves a car-theft gang which Ripley breaks up by using one of the gang, Vince Angelino and his wife Julie. The last case involves Kate Martell, the victim of an extortionist who threatens to kidnap her child unless she pays him $10,000
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Hanns Walter Kornblum
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Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully c...
导演：
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Márk Bodzsár
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七○年代蘇聯佔領的匈牙利，共產黨嚴密統治的時代，為了支援戰況水深火熱的越南，領導請來曾在古巴對抗美帝的游擊英雄巡迴宣傳，首要任務就是鼓吹捐血活動。然而令眾人訝異的是，這位英雄征戰多年，容貌看起來竟然仍是個小伙子，讓眾人匪夷所思。在上級密令下，一對特務情侶開始近距離監視這位陌生的英雄，他們的關係卻也因此受到了考驗……。
翻玩吸血鬼經典元素，攪亂諜報愛情題材，導演馬克波茲札爾延續前作風格，再展天馬行空的荒誕本領。以病態浪漫血漿美學，混搭惡搞歷史怪誕人設，在嚴肅的冷戰時代背景上，構築超現實黑色喜劇，不僅對東歐的極權歷史大加嘲弄，媲美《暮光之城》跨越人魔的唯美設定也毫不馬虎。
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罗伯特·奥特曼
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里克（肯尼思·布拉纳 Kenneth Branagh 饰）是一名从业经验非常丰富的刑事案件律师，他凭借着清晰的逻辑和过人的口才，一直走在行业领先的位置，已经连续八年未尝败绩。然而，在事业经营的风生水起的同时，里克的婚姻生活却渐渐枯萎濒临死亡，他和结婚多年的妻子莲妮（法米克·詹森 Famke Janssen 饰）最近正在起草离婚协议。
一天，里克从自己的庆功宴上抽身离开，准备回家之时，遇见名为茉莉（艾伯丝·戴维兹 Embeth Davidtz 饰）的女招待。茉莉告诉里克自己的车被偷了，出于同情，里克开车载茉莉回家，哪知道就此牵扯出一种离奇的案件。里克决定成为茉莉的辩护人，在处理错综复杂的线索的同时，里克也渐渐陷入了茉莉编织的温柔陷阱之中。
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Herbert,Wilcox
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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珊妮·盖博
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母亲去世的消息传来，令女孩帕斯林（斯嘉丽·约翰逊 Scarlett Johansson 饰）回去乡下老家，没想到在母亲留下的旧屋住着两个古怪的人，一个是落魄文学教授鲍比·朗（ 约翰·特拉沃尔塔 John Travolta 饰），是个衰老、邋遢的酗酒男人，和打算为他写传记的学生兰森（盖布瑞·马赫特 Gabriel Macht 饰）。三人暂时居住在一起，从鲍比·朗的口中，帕斯林听到许多母亲的过去，也让她找到母亲曾经的情感——这个始终写歌、最终吸毒过量去世的母亲，生命中的情歌都是写给谁的。新奥尔良乡下的悠闲足以让时光静止，这个老男人身上已经看不到将来，年轻的帕斯林渐渐不堪忍受这一切，也慢慢发现自己和鲍比·朗真正的联系……
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威特·哈尔兰
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In this notorious Nazi propaganda historical costume melodrama, a conniving, ambitious Jewish businessman, Suess Oppenheimer, snares a post as treasurer to the Duke of Wurttemburg by showering the corrupt duke with treasure and promises of even greater riches. As the Jew's schemes grow more elaborate and his actions more brazen, the dukedom nearly erupts into civil war. Persuad...
